{"id":84,"date":"2020-05-24T08:47:42","date_gmt":"2020-05-24T08:47:42","guid":{"rendered":"https:\/\/karinwetzel.de\/?page_id=84"},"modified":"2025-12-05T15:57:10","modified_gmt":"2025-12-05T15:57:10","slug":"kompositionen","status":"publish","type":"page","link":"https:\/\/karinwetzel.de\/en\/kompositionen\/","title":{"rendered":"compositions"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Sapphische Tr\u00fcmmer &#8211; Songs for Sailors and Lovers<\/h3>\n\n\n\n<p>for Voice and Flute, 2024\/25<br>42&#8242;<br>after textfragments by Sappho (Translation: Diane Rayor and Anne Carson)<br>WP: Anna K\u00fchn &#8211; Voice, Rafal Zolkos &#8211; Alto- and Bassflute<br>27.6.2025, La Voirie, Biel CH<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Three Dyadic Movements<\/h3>\n\n\n\n<p>for Alto Flute, 2022\/24<br>7&#8242;<br>WP: Rafal Zolkos &#8211; Flute<br>3.3.2024, TimeArt Studio, Taichung<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dyadic Movement<\/h3>\n\n\n\n<p>for Flute and Live-Elektronics, 2022<br>17&#8217;30<br>WP: Rafal Zolkos &#8211; Bassflute, Karin Wetzel &#8211; Live-Elektronics<br>17.12.2022, Academy of Music, Cracow<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Usnea<\/h3>\n\n\n\n<p>f\u00fcr Ensemble, 2021<br>17&#8217;30<br>UA: <a href=\"https:\/\/www.neuverband.ch\/\">neuverBand<\/a><br>Leitung: Mike Svoboda<br>10.11.2021, Ackermannshof, Basel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dividuum<\/h3>\n\n\n\n<p>f\u00fcr Violine solo, 2019\/20<br>UA: Mateusz Szezepkowski<br>28.3.2022, Theater Rigiblick, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mud<\/h3>\n\n\n\n<p>f\u00fcr Violine solo, 2019\/20<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Vid<\/h3>\n\n\n\n<p>f\u00fcr Violine solo, 2019\/20<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Seiltanz<\/h3>\n\n\n\n<p>f\u00fcr Saxophonquartett, 2018<br>7&#8217;00<br>UA<br>Cascatelle Saxophone Quartett<br>14.11.2018, Z\u00fcrcher Hochschule der K\u00fcnste<br>Auftragswerk des ICST Z\u00fcrich<br>Projekt <a rel=\"noreferrer noopener\" href=\"https:\/\/polytempo.zhdk.ch\/\" target=\"_blank\">Polytempo<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Windschatten II<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>f\u00fcr Tape\/Live-Elektronik, 2018<br>aus<em> Windbruch<\/em><br>5&#8217;50<br>Vera Schnider, Harfe<br>Samuel Fried, Klavier<br>Karin Wetzel, Elektronik<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Windbruch<\/h3>\n\n\n\n<p>f\u00fcr Ensemble und Live-Elektronik, 2017<br>11&#8217;50<br>UA: <a rel=\"noreferrer noopener\" href=\"https:\/\/ensembleproton.ch\/\" target=\"_blank\">Ensemble Proton Bern<\/a><br>Leitung: Matthias Kuhn<br>Klangregie: Florian Bogner, Karin Wetzel<br>07.02.2018, Gare du Nord, Basel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Air Parasite<\/h3>\n\n\n\n<p>f\u00fcr Vokalquartett und Live-Elektronik, 2017<br>12&#8217;00<br>UA: Ensemble<a rel=\"noreferrer noopener\" href=\"http:\/\/solovoices.ch\/\" target=\"_blank\"> SoloVoices<\/a><br>Klangregie: Karin Wetzel<br>14.01.2018, Gare du Nord, Basel<br>Auftragswerk des Ensemble SoloVoices<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">X-Pieces<\/h3>\n\n\n\n<p>f\u00fcr 1\u20132 Blockfl\u00f6ten<br>4&#8217;30<br>UA<br>Lydia Dietrich und Laura Kalchofner, Blockfl\u00f6ten<br>12.04.2019, Z\u00fcrcher Hochschule der K\u00fcnste, Kunstraum<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Backslash<\/h3>\n\n\n\n<p>f\u00fcr Blockfl\u00f6te, 2017<br>aus <em>X-Pieces<\/em><br>UA: Laura Kalchofner, Tenorblockfl\u00f6te<br>29.11.2018, Lange Nacht der Zeitgen\u00f6ssischen Musik, Z\u00fcrich, Toni-Areal<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Slash<\/h3>\n\n\n\n<p>f\u00fcr Blockfl\u00f6te, 2017<br>aus <em>X-Pieces<\/em><br>UA: Lydia Dietrich, Tenorblockfl\u00f6te<br>12.4.2019, Doktorandenforum Zhdk, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">One on One<\/h3>\n\n\n\n<p>f\u00fcr Cello und Gitarre, 2014<br>12&#8217;00<br>UA: Duo <a rel=\"noreferrer noopener\" href=\"http:\/\/leisedroehnung.de\/\" target=\"_blank\">Leise Dr\u00f6hnung<\/a><br>Niklas Seidl, Cello<br>Steffen Ahrens, Gitarre<br>31.07.2014, Quartier am Hafen, K\u00f6ln<br>Auftragswerk des Duo Leise Dr\u00f6hnung<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Swarming<\/h3>\n\n\n\n<p>f\u00fcr Block- und Paetzoldfl\u00f6tenensemble, 2014<br>6&#8217;00<br>UA<br>Prime Recorder Ensemble<br>Ltg.: Antonio Politano<br>27.05.2014, BKA Theater, Berlin, Unerh\u00f6rte Musik<br>Auftragswerk des Prime Recorder Ensemble<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chronismen<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>f\u00fcr grosses Ensemble, 2013<br>8\u201900<br>UA<br>Ensemble Modern<br>Ltg. Johannes Kalitzke<br>24.11.2013, hr-Sendesaal, Frankfurt<br>Auftragswerk des Ensemble Modern<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Murals<\/h3>\n\n\n\n<p>f\u00fcr Ambisonic Tape, 2012<br>13&#8217;55<br>UA: Karin Wetzel, Klangregie<br>15.12.2012, Kunstraum Walcheturm, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Amorphose II <\/h3>\n\n\n\n<p>f\u00fcr Gitarre und Live-Elektronik, 2012<br>8&#8217;40<br>UA: Panagiotis Megarchiotis, Gitarre<br>Karin Wetzel, Klangregie<br>15.12.2012, Kunstraum Walcheturm, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Smoke<\/h3>\n\n\n\n<p>f\u00fcr Akkordeon und Live-Elektronik, 2012<br>12&#8217;50<br>UA: Andrea Kiefer, Akkordeon<br>Karin Wetzel, Klangregie<br>15.12.2012, Kunstraum Walcheturm, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">glass body<\/h3>\n\n\n\n<p>f\u00fcr Tape, 2011<br>11&#8217;33<br>UA: Karin Wetzel, Klangregie<br>06.08.2011, Literary Arts Center Beyond Baroque, Los Angeles, USA<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Amorphose<\/h3>\n\n\n\n<p>f\u00fcr Gitarre, 2011<br>UA: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.evabeneke.com\/\" target=\"_blank\">Eve Beneke<\/a>, Gitarre<br>06.08.2011, Literary Arts Center Beyond Baroque, Los Angeles, USA<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">bricht an dem halm sich der laut<\/h3>\n\n\n\n<p>f\u00fcr Altstimme, Altfl\u00f6te, Bassklarinette, Gitarre, pr\u00e4pariertes Klavier, Violine und Kontrabass, 2009\/10<br>3&#8217;50<br>nach dem Text <em>balancen I <\/em>von Anja Utler<br>UA: Ensemble Arc-en-Ciel<br>Leitung: Cornelius Volke<br>21.01.2011, Z\u00fcrcher Hochschule der K\u00fcnste<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Gilgamesch-Miniaturen<\/h3>\n\n\n\n<p>f\u00fcr Cello, zwei H\u00f6rner und Percussion, 2009<br>Interdisziplin\u00e4res Projekt zum Gilgamesch-Epos aus Tanz, Musiktheater, Sprechch\u00f6ren und Schrift-Bildern<br>Regie: <a rel=\"noreferrer noopener\" href=\"https:\/\/www.joachimschloemer.com\/de\/projekte\/gilgamesch\/informationen\" target=\"_blank\">Joachim Schl\u00f6mer<\/a><br>UA: Moritz M\u00fcllenbach, Cello<br>Louisa Marxen, Percussion<br>Benedikt Hayoz, Horn<br>Jannis Weggenmann, Horn<br>17.02.2010, Theater der K\u00fcnste, Z\u00fcrich<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">zone de construct<\/h3>\n\n\n\n<p>f\u00fcr Tape, 2009<br>7&#8217;28<br>UA: 26.03.2010, Festival &#8220;Spring in Havanna&#8221;, Kuba<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">H\u00f6hlungen<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>f\u00fcr Orchester, 2007\/08<br>14&#8217;00<br>UA: Hochschulsinfonieorchester Leipzig<br>Leitung: Barbara Rucha<br>15.01.2019, HMT Leipzig, Grosser Saal<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Schattensaite<\/h3>\n\n\n\n<p>f\u00fcr Cello, 2007\/08<br>UA: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.niklasseidl.eu\/niklasseidl.eu\/bnjour.html\" target=\"_blank\">Niklas Seidl<\/a>, Cello<br>22.5.2009, HMT Leipzig<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Cha\u00eenon<\/h3>\n\n\n\n<p>f\u00fcr Fl\u00f6te, Bassklarinette, Akkordeon, Klavier, Percussion, 2 Violinen, Viola, Cello<br>2006<br>16\u201930<br>UA<br>Ensemble Avantgarde<br>Ltg. Steffen Schleiermacher<br>11.10.2006, Gewandhaus Leipzig<br>Auftragswerk des Ensemble Avantgarde und Steffen Schleiermacher<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Inflammation<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>f\u00fcr Cello, 2005\/06<br>UA: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.niklasseidl.eu\/niklasseidl.eu\/bnjour.html\" target=\"_blank\">Niklas Seidl<\/a>, Cello<br>19.04.2006, Stadtbibliothek Leipzig<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Schlagweiten<\/h3>\n\n\n\n<p>f\u00fcr Schlagzeugquartett<br>2005\/06<br>18\u201900<br>UA<br>Leipziger Schlagzeugensemble<br>07.10.2005, Black Box Leipzig<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Variationen \u00fcber Harangvir\u00e1g von Gy\u00f6rgy Kurt\u00e1g<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>f\u00fcr Klavier, 2004\/2005<br>UA: Alicia Torrea Goiechea, Klavier<br>15.05.2008, HMT Leipzig<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">2 Ges\u00e4nge<\/h3>\n\n\n\n<p>f\u00fcr Sopran und Fl\u00f6te<br>nach Texten von Salvatore Quasimodo<br>2004<br>7\u201918<br>UA: Ji-Young Hong, Sopran<br>Martina Fenzel, Fl\u00f6te 17.05.2004, HMT Leipzig<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sapphische Tr\u00fcmmer &#8211; Songs for Sailors and Lovers for Voice and Flute, 2024\/2542&#8242;after textfragments by Sappho (Translation: Diane Rayor and Anne Carson)WP: Anna K\u00fchn &#8211; Voice, Rafal Zolkos &#8211; Alto- and Bassflute27.6.2025, La Voirie, Biel CH Three Dyadic Movements for Alto Flute, 2022\/247&#8242;WP: Rafal Zolkos &#8211; Flute3.3.2024, TimeArt Studio, Taichung Dyadic Movement for Flute and Live-Elektronics, 202217&#8217;30WP: Rafal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"class_list":["post-84","page","type-page","status-publish","hentry"],"featured_image_src":null,"jetpack_sharing_enabled":false,"jetpack_likes_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/Pc2bSE-1m","_links":{"self":[{"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":60,"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/pages\/84\/revisions\/2145"}],"wp:attachment":[{"href":"https:\/\/karinwetzel.de\/en\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}